torsdag den 18. september 2014

Sketching on the street of Tokyo

Dinner at a small Japanese restaurant with Peter Meldgaard after a long day at the Tokyo Game Show. Painted in around 40 minutes

tirsdag den 26. august 2014

CGMA - Color and light


Week 4 of Color and Light class. We had to choose four refrence images to study and replicate (without colorpicking)





fredag den 22. august 2014

Photoshop script that prevent Photoshop jumping layers

Just wanted to share a neat little script I found for Photoshop. It prevents Photoshop from jumping layers when undoing and it has all ready saved me tons of frustrations of painting on the wrong layer. Thanks to Sinistergfx for saving me a lot of headaches:

The forum where I found it:

http://www.polycount.com/forum/showthread.php?p=1251347#post1251347

And the script:
http://dl.dropbox.com/u/3580711/StepBackwardSmart.jsx

Add the script to the Photoshop script folder and assign a hotkey to it.
Edit - Keyboard Shortcuts - Application Menus - File - Scripts

tirsdag den 19. august 2014

Trip to Estonia

Enara and I have just returned from a wonderfull trip to Roland and Minas wedding in Estonia. It has been such a nice trip, meeting new friends and hanging out with old ones, celebrating the lovely couple. Some drawings from the trip.

CGMA - Color and light

Next assignment from the Color and light class: diffrent materials studies.

lørdag den 9. august 2014

CGMA - Color and light

I have started on my second class at cgma. This time it is color and light with Ryan Lang and Tyler Carter. First week's assignmet: three balls with neutral local colors, not warm or cold; that is, red, blue and yellow, in diffrent lighting situations: neutral key, warm key and cold key. A good point I got with this week's assignmet: the absens of one lightsource usually means the presence of another. In full daylight, the sun would be the key light and the sky light would be the secondary light source or the fill light. In natural lit outdoor enviroments, this would normally be the case, one major key and a fill light. In the absence of key and fill, is where ambient occlusion or contact shadows appear. In the contact point between the balls and the ground, light is being occluded since light loses its energy bouncing and doesn't have the strenght to reach in the crevasses. In an outdoor lit scene, the sun/key light would usually be warm and the shadows cold. A good rule of thumb is: warm light- cold shadows and cold light - warm shadows. 


 

I have tried to apply the principals learned, in my daily work on Light Apprentice chapter 2.